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Al desocupar la casa de sus padres, Catalina Villar encuentra en el fondo de un cajón una antigua tarjeta de identidad con la foto de Ana Rosa, la abuela paterna de quien lo único que sabe es que fue sometida a una lobotomía a finales de los años 50. La pregunta por el porqué de tal intervención recorre esta película y conduce a descomponer un relato familiar marcado por el silencio. Entrevistas a prestigiosos psiquiatras, visitas familiares y archivos de diversos orígenes ponen en evidencia un memorial de coincidencias y siniestros que trascienden la tragedia privada y revelan una historia colectiva, una historia de control sobre los cuerpos de las mujeres. En una búsqueda personal, la documentalista colombiana radicada en París repara en la estrecha relación entre psiquiatría y sociedad, provocando la revisión de una época en Colombia y, en ella, de las narrativas sobre las que se ha sostenido el gran relato de la buena familia.
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